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Future Music 353: The Ultimate Guide for Modern Producers

Future Music Issue 353, February 2020: A Review

If you are a modern producer who wants to stay on top of the latest trends, techniques, and technology in electronic music, you might want to check out Future Music magazine. Future Music is a monthly publication that delivers the most comprehensive coverage of the gear, software, artists, and sounds that shape today's music scene. Each issue is packed with inspiration, reviews, tutorials, interviews, samples, videos, audio demos, and more.

Future Music – Issue 353, February 2020


In this article, we will review one of the most recent issues of Future Music issue 353, which came out in February 2020. We will highlight some of the main features and topics that make this issue worth reading. We will also show you how you can access this issue online or in print, as well as how you can subscribe to Future Music magazine and save up to 46%. Whether you are a beginner or a seasoned producer, you will find something useful, interesting, and entertaining in this issue.

Korg Wavestate: The Cover Star

One of the most exciting features of this issue is the in-depth review of the Korg Wavestate, the cover star of Future Music 353. The Korg Wavestate is a new synth that revives and updates the legendary Wavestation, a classic instrument from the early 90s that was known for its complex textures and evolving sounds. The Wavestation was one of the best ambient synths ever made, and it was used by many famous artists, such as The Orb, Orbital, Depeche Mode, Brian Eno, and more.

The Korg Wavestate is not just a reissue of the Wavestation, though. It is a modern synth that adds new features and improvements to the original engine, making it more powerful, versatile, and user-friendly. Some of the new features include:

  • A new Wave Sequencing 2.0 engine that allows more control and modulation over the waveforms, envelopes, filters, effects, and more.

  • A larger and more diverse waveform library that includes over 1000 waveforms from various sources, such as PCM, analog, FM, physical modeling, etc.

  • A new vector envelope generator that enables smooth transitions and morphing between four sound sources.

  • A new modulation matrix that offers 14 sources and 52 destinations for creating complex and dynamic sounds.

  • A new randomize function that can generate new sounds and variations with a single button press.

  • A new performance mode that can layer up to four programs for creating rich and expressive sounds.

  • A new OLED display that shows all the relevant parameters and settings in a clear and intuitive way.

  • A new 37-key keyboard that is velocity-sensitive and supports aftertouch.

The Korg Wavestate is a synth that can produce a wide range of sounds, from atmospheric pads and drones, to rhythmic sequences and arpeggios, to cinematic soundscapes and effects. It is a synth that can inspire creativity and experimentation, as well as deliver high-quality results. The pros of this synth are its unique sound engine, its extensive modulation options, its randomize function, its performance mode, and its OLED display. The cons are its limited polyphony (64 voices), its lack of multitimbral capability (only one MIDI channel), its small keyboard (37 keys), and its high price ($799).

If you want to hear how the Korg Wavestate sounds like, you can check out the video and audio demos that are included in this issue of Future Music. You can also read the full review and verdict of this synth in the magazine.

Interviews with Artists and Producers

Another feature that makes this issue of Future Music worth reading is the interviews with various artists and producers who share their stories, tips, insights, and advice on making music. In this issue, you can read interviews with:

  • Francesca Lombardo The Italian-born DJ and producer who combines classical sounds and techno beats for her debut album Life Of Leaf. She talks about her musical background, her creative process, her studio setup, her live performance, and her future plans.

  • Alex Epton The in-house producer and soundtrack artist at XL Recordings' NYC studio. He talks about his work with artists like Vampire Weekend, FKA Twigs, Jamie xx, David Byrne, etc., as well as his own projects under the name XXXChange. He also shows us his studio gear and workflow.

  • Claro Intelecto The master of leftfield techno who has been making music for over 15 years. He talks about his influences, his sound design techniques, his hardware preferences, his label Delsin Records, and his latest album Exhilarator.

  • The Track: Twin Atlantic The Scottish alt-rock band who have taken production into their own hands for their latest album Power. They talk about how they recorded and mixed their songs in their own studio using Logic Pro X.

  • Classic Album: Sasha The legendary DJ and producer who talks us through his debut album Airdrawndagger track-by-track. He reveals how he made each song using various synths, samplers, effects, plugins, etc., as well as how he approached the album as a whole.

These interviews are not only informative and entertaining but also inspiring and educational. You can learn a lot from these artists and producers who have different backgrounds, styles, genres, experiences, and perspectives on making music. You can also see how they use different gear and software to create their sounds and songs. You can apply some of their tips and insights to your own projects and improve your skills and knowledge as a producer.

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